Breaking is the first album from the Brooklyn based band Cold Wrecks, well that’s not the whole truth. This is a new version of the band Eli Whitney & the Sound Machine, which leaned towards the Ska genre. In this new iteration the band has garnered comparisons to Modern Baseball, Weakerthans and Against Me!, but that is to simplify things a bit. This is not going to be a knock on the more or less repetitive world of modern American nondescript punk, but there is reason to have it in the back of your mind while talking about Cold Wrecks. For bands that classify themselves as punk rock today, or the even vaguer term emo, it is easy to fall into the trap that is the aforementioned style and doing so one runs a risk of sounding more like Sum 41, New Found Glory or a myriad of other forgettable bands. To truly stand out in the world of punk bands just might need to look elsewhere to find inspiration and that might just be what the Brooklynites have done.
Th opening salvo of Breaking is called Price and is truly promising, a musical nod to British post-punk like Smiths, Joy Division and more modern counterparts like The Courteneers. Unfortunately it ends there. Most of the album falls back into a punk sound. It is the same problem bands like Fightstar’s album Be Human where the best track by no means represents the other songs. It’s as if Cold Wrecks don’t quite know what they want to be. The tracks on the album are everywhere without a real cohesiveness and with a disjointed feel. One could argue that the need for a unified collection of tracks is unnecessary in the digital age, where listeners concentrate more on individual songs than the sum of its parts, but for new listeners consistency is key.
This said Cold Wrecks style of punk rock is by no means bland. There is heart here and a willingness to experiment with the form, especially when it comes to content and themes. It’s more than your run of the mill punk and deals more with heart ache and loneliness instead of high school angst or parties.
Cold Wrecks show that they are a band that have a bright future in front of them and if they continue to experiment they can go far.
– Andrew Tobias
Andrew Tobias is a music collector, musician and cultural scholar as well as the Guild’s resident music reviewer. His former girlfriends also describe him as perpetually broken.
“And despite, despite yourself, You’ll be the last good thorn on the rose.
And in time, in time you’ll see, You’ll make those fucking petals look like plastic shite you see in shops, Or graveyard bins. Where the pointless offers made to long dead lovers means nothing, To cold dead bones. You’ll be the last good thorn on the rose.”
- Give it up
- G’Wan So
- Marching in time
It was in 2013 that the Irish punk band Chewing on Tinfoil released their last album; Marrowbone Lane and to satiate the fans they have now released an E.P. called Moving the Goalposts. The E.P. contains five tracks with the bands typical mix of punk, ska and rock. For those of us who enjoyed the previous release this one will not disappoint. Chewing on Tinfoil quickly show, on the first track Charlene, that they master the fine blend that is legacy of Clash-brand punk rock, Frank Turner- style folky rock and American third wave ska.
Like the mix of musical styles that the quartet displays so is the E.P. similarly blended in lyrical content. The listener is thrown between love and social criticism all in cleverly worded phrases and delivered with right amount of sentiment, anger and joy that the songs require.
All in all Moving the Goalposts is a perfect example of what Chewing on Tinfoil can do when they are on the top of their game and should make fans excited about what might come next.
Moving the Goalposts is available to stream for free at https://chewingontinfoil.bandcamp.com/album/moving-the-goalposts or to download at your own price.
– Andrew Tobias