Publisher: DAW Books
Prequels are an interesting cultural affair. In movies the have been used to extend the life of a franchise, maybe the actors are too old or just not interested in continuing, maybe it is a promise once made to fans that the background story will one day be revealed, only to fall short i.e. Star Wars 1-3 or Prometheus. In literature it is something different; a device an author might use to further explore their created world, to tell those tales merely hinted at in a fleeting moment between two characters or to widen the intrigue. In his Tales of Egg and Dunk, beginning with The Hedge Knight, George R.R. Martin gave his readers a taste of his world before A Song of Ice and Fire takes place. He explained those things his original series could not, for such a departure would have made little to no sense.
Bradley P. Beaulieu, perennial favorite at the Guild office, has now also released a prequel to his Arabian Nights fantasy Twelve Kings in Sharakhai and is therefore subtitled The Song of Shattered Sands 0,5.
In this book the reader is treated to a tale from Çeda’s past, before the events of Twelve Kings take place. She has already made a name for herself in the fighting pits, and is referred to as The White Wolf. Çeda becomes involved with an ehkreh, some form of demonic entity, by the name of Rümayesh who lures her into her lair in order to steal her memories. Çeda finds herself fighting to not reveal her inner secrets, ones that may very well ruin her, to the crowd that Rümayesh has gathered. She’s in luck and is saved by two godling children; Hidi and Makuo and that is where she thinks the adventure ends, but alas that is not so. The White Wolf finds herself drawn in deeper and an intricate part of the ehkreh’s destiny.
Of Sand and Malice Made is a fun foray into Çeda’s history. It hints at some of her secrets and the conflict within her and the community in which she lives. The world of Twelve Kings comes alive in a vibrant blend of smells, colors and sound that complements the first book in a wondrous way. Çeda becomes somewhat of a classic picaro in the desert landscape and guides the reader through her reality filled with mischief, dangers and exotic people, like a child showing off her new room to first time visitors. Beaulieu’s world complements his protagonist and she does the same to the backdrop that houses her. His descriptions of places and people has been his strength throughout his production and without it his fairly fairly simple intrigue would fall flat. He uses tropes more common in the setting of a 19th century coming of age novel and places it in a world foreign to that kind intrigue, taking a page from Stephen Donaldson.
To those who have read Twelve Kings Of Sand and Malice Made is a welcome return to the dry climate of Sharakhai and satiates the thirst whilst waiting for the next installment. For a new reader it may well be a good starting point before delving into the complexity of the Shattered Sands series. The book is shorter than most fantasy fair and the story less elaborate, but nevertheless enticing.
Of Sand and Malice Made cements Beaulieu’s position as the next big thing in fantasy and makes us hunger for more; more Çeda, more Sharakhai and more hot desert sun.