The first book in the series The Knights Eternal we are introduced to a world of monsters, magic and religious fervor, how do they all blend in Robert J. Duperre’s Soultaker?
The main figures in Soultaker are Abe, Meesh and Shade, three of the Knights Eternal, so named because they are immortal. In truth, the vessels of the three nights are immortal, whenever one of them dies a new soul occupies the body. Abe is the oldest of the three, tries to decode the riddles of his religion, while Shade is haunted by visions of his dead wife Vera. The knights are tasked with keeping order in the land, a mission that seems to be getting more and more difficult lately. From the fact that the scourgers come down from their homes in the mountains, to open portals and rumors of walking dead. On their way to exact vengeance on the religious figure gone bad Ronan Cooper, and the chase for crystals, they come to the deserted city of Breighton. A single survivor relates a tale of the dead rising and attacking the city. A tangled web of mystery, horror and violence begins to unfold before the three Knights Eternal.
Soultaker is a perfect blend of a variety of genre fiction or at least sub genres of Science Fiction. The setting is overtly post apocalyptic, complete with religious fundamentalists and desert landscapes, it has a techno fantasy aspect with the ostentatious guns and magical weaponry, but also the adventurous nature of a fantasy book. That coupled with a good portion of horror. The tale keeps the readers on their toes at all time and would clearly be categorized as a page turner. Duperre manages to perfectly blend the wild west style of storytelling with the science fiction backdrop. The Knights Eternal believe in a religion called Pentmatarianism, an apparent off shoot of older religions in the world. They also encounter the scourgers’ faith in Yehoshua, which causes them some confusion. There is a lot of depth in Soultaker and it takes some unexpected turns. It is a great example of what genre fiction can do.
Genre: Science Fiction
Publisher: Crossroad Press
Cassius Mass was known as the Fire Count, the Butcher of Kolthas a true heel in the eyes of his enemies. That was when he was a noble of Crius, part of the Archduchy, a big deal. That was also before the war with the Commonwealth that the arrogance of his class forced the nation into, before they lost it all and the Archduchy was no more. He managed to come out of it in one piece and for years he has been hiding on a freighter, under an assumed name, happy enough to while away his existence as a functioning member of his one time enemy; The Commonwealth.
When his identity becomes revealed to all aboard the ship he decides to leave, to save his own neck from those around him, as well as those who care for him. A small revolutionary group calling themselves the Freedom Army makes this difficult for him. Especially when he realizes that there is a clone among them, posing as him. That is not the only problem; his dead wife is there as well. With a newfound calling in life Cassius is soon enlisted to bring down the Freedom Army, or at least fight against his doppelganger. Things only become more complicated when a version of his sister shows up.
Lucifer’s Star is easy to dispel as your run of the mill space opera. A pompous and flamboyant story in the same vein as G.R.R. Martin’s Song of Ice and Fire, but told in space. The kind of science fiction that was abundant during the eighties and was almost always written by Kevin J. Anderson et al. This is not that kind of story. It may appear so at first glance. We are propelled into the tale by virtue of a space battle and then most of it is told at quite an elevated speed. Lucifer’s Star does not suffer from the overabundance of pages that similar works do, and where other authors would struggle to keep things short and sweet, Phipps & Suttkus manage to say much with just a few words. It appears as if a lot of work has been put into the backdrop, a tapestry of intrigue and personal conflict. The conflict between the Archduchy and the Commonwealth is one that takes some more information, for there is an interesting to be told. Cassius May is the epitome of an antihero. A villain of gigantic proportions in the past he tries to redeem himself by doing what he thinks is right, in this case, what others want him to do. He is loyal to his family and the image he has carved out for himself under the guise of a new persona. This makes him one of the most dimensional characters within science fiction. Lucifer’s Star has something for everyone to enjoy. Political and relationship intrigue, great world building, clones and robots. It sets things up perfectly for sequels and rivals the work of James S.A. Corey.
Lucifer’s Star is a healthy mixture of genre fiction. On the the surface a science fiction tale, but at its heart it has all the properties of noir. It is gritty and dark, that does not wholly rely on action, but a great narrative to ensnare the reader. It would make Philip K. Dick very proud.
In this episode Nick and Chris talk about night three in India. Was the show a yay or nay? Who was the MVP? Which was the match of the night? Are the commentators better or worse than those of ROH?
Story: Frank Tieri
Art: Oleg Okunev
Publisher: Aftershock Comics
What if the black plague wasn’t what the history books would like us to think it was? What if it was a cover up for something more sinister? This is what Pestilence from Aftershock comics tries to explore.
The years is 1347 and the group Fiat Lux is called by the church to deal with a renegade band of crusaders. Once they have dealt with the nasty business, they come in contact with a courier. A courier who seems to be ill and ends up biting one of them. After putting the man down, with great difficulty, they find a note addressed to Roderick Helms, the de facto leader of Fiat Lux. It’s a summons from the Vatican, to deal with a far greater problem than wayward crusaders.
Pestilence #1 is beautifully told through Roderick Helms himself. Through a confessional letter he has sent to is wife, he details the events from a few weeks prior. His band of warriors consists of the regular eclectic group; the joker, the brute, the clever one, the killer and the quiet one. It a standard troupe and at first glance a straight adventure narrative. The characters are familiar and it is expected that as the story continues that there will be more familiar tropes. There has definitely been an influx of zombie stories over the past years, and in order for these to become competitive the writers have to be inventive. It can be immersing zombies in literary fiction as in Pride and Prejudice and Zombies, set it in history like Exit Humanity or the middle ages like Pestilence. Max Brooks hinted in his Zombie Survival Guide, that the world was no stranger to zombie attacks, and that most of them had been hidden under the guise of other plagues, and what could be more wide spread than the Black Death. It’s an interesting concept and it makes for an intriguing plot.
All in all Pestilence #1 hints at a delightful and exiting tale, with fun artwork, all the things that Aftershock Comics has proven to be experts at. They just keep on bringing awesome comics with great art, brilliant!
Publisher: Dynamite Entertainment
Writer: Ryan Browne
Artist: Pete Woods
In 2008 Dynamite released Alex Ross and Jim Kreuger’s Project Superpowers. To all who love the superheroes of the so called Golden Age it was a treat. For many years people waited for more, and eventually the spin offs came, not the way readers expected it though.
Apart from the natural continuation of Project Superpowers; Black Terror, Death-Defying Devil, Masquerade and The Owl, it wasn’t until 2015 that a new series saw the light. Project Superpowers: Blackcross, written by Warren Ellis, was unlike the series it came from, and to most the only similarities were names of heroes and the title. More of a murder mystery with supernatural overtones, it most likely was a disappointment to those who expected something like the traditional storytelling. Now Dynamite have once again delved into the Golden Age pool, releasing Herokillers by Ryan Browne and Pete Woods. It too hailed as being from the pages of Project Superpowers.
Like Blackcross, the story has little to do with the original book. It takes place in Libertyville, a place dubbed as Murdertown U.S.A. The mayor, an interesting fellow called Smooth Willie Williams JR., offers a crap ton of money to superheroes who might come and clean the city up. The heroes are given tax breaks, annual salaries and bonuses based on performances. The end result is a safe city where heroes outnumber criminals. As is true with bored teenagers, the heroes soon lash out and become self destructive, none more so than Black Terror, who turns to alcohol and women of loose morals.
While Herokillers isn’t Project Superpowers, or Blackcross, it has its own charm. There is a warmth and humor to it that the other books lacked. It takes the superhero genre and twists it, making the heroes look more pathetic and sad. Maybe this is because they do not have a purpose in life, or maybe because they’ve always been a-holes. In the end it doesn’t really matter. Sure some readers might be disappointed again, because it makes fun of the genre and these characters, but it’s all very intertaining. A constant commenting from the editor Matt makes the series more meta, and the style of Woods brings it all together.
It will be interesting to see where this series goes and how these serious characters react when being thrown into absurdity.
For the avid reader of fantasy Peter Beagle has a special place in the pantheon. His book, The Last Unicorn, is canon in the genre and one could even claim that it is held in high regard among those who are only casual fantasy fans as well. The story was made into a feature film, touring American movie theatres, as well as a recent comic book. Unfortunately Beagle is often remembered by this one book. He has continued to release books since then, mostly without making too many ripples. That does not mean that his later production is not worth reading, on the contrary, his most recent release, In Calabria, proves the opposite.
Claudio Bianchi is a cantankerous Italian who lives in Calabria. Alone on a small farm with his goat Cherubino, the cat Mezzanotte and pigs. He lives a quiet life and has minor interaction with the postman Romano. One night he spies a unicorn on his property and it changes his life completely. It returns several times and begins to nest, and that is when Bianchi realizes that it is pregnant and that he might have to aid it in giving birth. The arrival of the mystical creature softens the old man and he spends his days writing poetry and even starts up a relationship with Romano’s sister Giovanna. The existence of the unicorn and, later, the black colt that she gives birth too, becomes common knowledge in the area and once again Bianchi’s world changes again. Reporters and scientists flood his farm, and soon a local criminal organization comes calling, looking to annex the farm for their own purposes.
In Calabria is a short work of fiction, a contrast to the tomes of fantasy that readers become used to. That being said, Beagle is able to pack quite a bit of human emotion into the pages. The unicorn, not at all the main character in the story, becomes more a symbol of what could be. Initially its presence is a sort of blessing that enriches Bianchi’s life. When the creatures becomes known to the rest of the world he is challenged. Does he want to protect his new found world or does he take the easy way out so that he can go back to his earlier life of loneliness.
Beagle has an impressive ability to create intriguing characters and through them the world in which they dwell. He avoids long descriptions of nature and the calabrese surroundings, instead Bianchi and his friends are the canvas on which he paints. Through them we understand the beauty of their world and it is more than enough. The plot is simple and to the point. There are no answers to why the unicorn shows up, why no one is surprised at its existence and that is fine. It creates the magic of a fantasy story without being fantasy, and that has always been Beagle’s strength.
-C. Marry Hultman
This week Nick and Chris talk about impact from 25th of May. They also discuss the need for factions in impact and why Steiner got such a weak pop.
Publisher: Aurea Blue Press
As previously mentioned in the first installment of Rear view, it is easy to misconstrue the style or genre of a story when one allows first impressions rule. It is the age old adage; don’t judge a book by its cover. Kourtney Heintz book The Six Train to Wisconsin might be a book that suffers from just that, but there is much more to it.
Oliver is a man with a problem and possibly a solution, or one that he is fairly certain will work. That is if he can pull everything off without a hitch. The problem is his wife, Kai, a social worker with a fragile psyche. When one of her cases, a twelve year old girl, is killed by her own father, Oliver fears for her safety, as well as sanity. He then decides to execute his plan; to kidnap his own wife and move her to his old family home in Butternut, Wisconsin. There is only one issue; Kai is a psychic. It complicates things in their relationship, as well as some very interesting ones, and he has taught himself to create a shield from her penetration. Kai has a history of self destructive behavior due to her ability to connect with the various cases. The downside to this is that whenever one of her charges get her she spirals into a depression.
After the successful abduction Kai is first furious, but after a while takes it in stride and they begin to settle in. It soon becomes quite clear to Kai that Butternut houses deep dark secrets pertaining to Oliver’s past. Firstly it is the emergence of his first love Mickey and their passion is quickly rekindled. Secondly it is the relation between him and his deceased father, the town sheriff, in particularly some peculiar business regarding his best friend’s death. When Mickey’s son suddenly vanishes it threatens to bring all the old feelings back and Kai ends up in the center of it all, even being attacked by threatening thoughts from a mysterious person.
Originally released in 2013 this review might as well have been classified as a Rear view, but as it was re-released in 2016 it will be treated as a newer book.
It would be easy to cast off Heintz first installment of her Wisconsin series as romance novels aimed at women, a genre that several literary critics turn their nose at. The reason for this is several fold; the cover, that is reminiscent of something from the late 1970’s, as well as the description, that seems to be lifted from a lifetime movie. That is quite the mistake to make though. From the first sentences the reader is plunged into the darker side of what being telepathic might entail. It is a downside that is rarely explored in fiction, if at all. Mostly the issues presented are those of how the main character is barraged by images of murder and violence, not the emotionally charged reality that Kai experiences. The kidnapping by Oliver that follows the complications at home quickly escalates the story, until it reaches a kind of quiet solemnity once they settle in Butternut reminiscent of TV shows like Ed or Providence.
It is all capped off with the mystery of Oliver’s past and the disappearance of Mickey’s son, a way to ease it into a more dramatic Midwestern noir tale. The story is expertly told by Heintz and is, perhaps surprisingly to some, a page turner, leaping from Oliver to Kai’s perspective. It moves on easily and the language is well adapted to suit most types of readers, as does the mix of genres; from the romantic to the mysterious. This story has it all. The good news does not stop there as this is only the first installment of a series and if one enjoys The Six Train to Wisconsin, one would imagine that the books that follow are equally as enjoyable.
Review of Impact from May 11th 2017 with Alberto El Patron vs Magnus for the GFW title in the main event. Who was the MVP of the show and which match was the best.
After a few weeks where our music critic Andrew Tobias has pronounced his love for the music of his youth he now turns his focus on another area, part in thanks to the recent release of the band Arkells new single Knocking at the Door.
For some strange reason I have always had a strange adoration for music from Canada. It does not make a whole lot of sense, for the music produced in the great white north is not that dissimilar to that written in the southern part of the Americas. From the first meeting with Bryan Admas, to the anger in Alanis Morrisette’s Jagged Little Pill, the soft lilting tones of Sarah MacLachlan and the qurkiness of Barenaked Ladies it seems as if Canada has been close to my heart for a long time.
So when I discovered Arkells a year ago when they were closely connected to Frank Turner, well then it was as if fate had intervened. I must say that I am a big fun of their music and lyrics that tread that fine line between sarcasm and seriousness, wrapped in a simplistic package. Their new single Knocking on the Door is a tune that includes all the pieces that have made their previous releases so great; a catchy melody, quick witted lyrics and a sharp message. It is reminiscent of a southern preachers sermon to a congregation, complete with a climatic baptist choir at the end. It gets the listener going and their hearts racing.
So get off the couch and answer the knock at the door, because it’s the Arkells waiting for you to open and discover them.