This week Nick and Chris talk about impact from 25th of May. They also discuss the need for factions in impact and why Steiner got such a weak pop.
Publisher: Aurea Blue Press
As previously mentioned in the first installment of Rear view, it is easy to misconstrue the style or genre of a story when one allows first impressions rule. It is the age old adage; don’t judge a book by its cover. Kourtney Heintz book The Six Train to Wisconsin might be a book that suffers from just that, but there is much more to it.
Oliver is a man with a problem and possibly a solution, or one that he is fairly certain will work. That is if he can pull everything off without a hitch. The problem is his wife, Kai, a social worker with a fragile psyche. When one of her cases, a twelve year old girl, is killed by her own father, Oliver fears for her safety, as well as sanity. He then decides to execute his plan; to kidnap his own wife and move her to his old family home in Butternut, Wisconsin. There is only one issue; Kai is a psychic. It complicates things in their relationship, as well as some very interesting ones, and he has taught himself to create a shield from her penetration. Kai has a history of self destructive behavior due to her ability to connect with the various cases. The downside to this is that whenever one of her charges get her she spirals into a depression.
After the successful abduction Kai is first furious, but after a while takes it in stride and they begin to settle in. It soon becomes quite clear to Kai that Butternut houses deep dark secrets pertaining to Oliver’s past. Firstly it is the emergence of his first love Mickey and their passion is quickly rekindled. Secondly it is the relation between him and his deceased father, the town sheriff, in particularly some peculiar business regarding his best friend’s death. When Mickey’s son suddenly vanishes it threatens to bring all the old feelings back and Kai ends up in the center of it all, even being attacked by threatening thoughts from a mysterious person.
Originally released in 2013 this review might as well have been classified as a Rear view, but as it was re-released in 2016 it will be treated as a newer book.
It would be easy to cast off Heintz first installment of her Wisconsin series as romance novels aimed at women, a genre that several literary critics turn their nose at. The reason for this is several fold; the cover, that is reminiscent of something from the late 1970’s, as well as the description, that seems to be lifted from a lifetime movie. That is quite the mistake to make though. From the first sentences the reader is plunged into the darker side of what being telepathic might entail. It is a downside that is rarely explored in fiction, if at all. Mostly the issues presented are those of how the main character is barraged by images of murder and violence, not the emotionally charged reality that Kai experiences. The kidnapping by Oliver that follows the complications at home quickly escalates the story, until it reaches a kind of quiet solemnity once they settle in Butternut reminiscent of TV shows like Ed or Providence.
It is all capped off with the mystery of Oliver’s past and the disappearance of Mickey’s son, a way to ease it into a more dramatic Midwestern noir tale. The story is expertly told by Heintz and is, perhaps surprisingly to some, a page turner, leaping from Oliver to Kai’s perspective. It moves on easily and the language is well adapted to suit most types of readers, as does the mix of genres; from the romantic to the mysterious. This story has it all. The good news does not stop there as this is only the first installment of a series and if one enjoys The Six Train to Wisconsin, one would imagine that the books that follow are equally as enjoyable.
Review of Impact from May 11th 2017 with Alberto El Patron vs Magnus for the GFW title in the main event. Who was the MVP of the show and which match was the best.
Finally, after weeks of waiting Nick and Chris sit down and talk about Victory Road. We rate the matches and the PPV, was it worth watching?
This week Nick and Chris discuss the episode of Impact that aired May Fourth. Who were the stand out performers, how did the show rate and which match blew us away.
After a few weeks where our music critic Andrew Tobias has pronounced his love for the music of his youth he now turns his focus on another area, part in thanks to the recent release of the band Arkells new single Knocking at the Door.
For some strange reason I have always had a strange adoration for music from Canada. It does not make a whole lot of sense, for the music produced in the great white north is not that dissimilar to that written in the southern part of the Americas. From the first meeting with Bryan Admas, to the anger in Alanis Morrisette’s Jagged Little Pill, the soft lilting tones of Sarah MacLachlan and the qurkiness of Barenaked Ladies it seems as if Canada has been close to my heart for a long time.
So when I discovered Arkells a year ago when they were closely connected to Frank Turner, well then it was as if fate had intervened. I must say that I am a big fun of their music and lyrics that tread that fine line between sarcasm and seriousness, wrapped in a simplistic package. Their new single Knocking on the Door is a tune that includes all the pieces that have made their previous releases so great; a catchy melody, quick witted lyrics and a sharp message. It is reminiscent of a southern preachers sermon to a congregation, complete with a climatic baptist choir at the end. It gets the listener going and their hearts racing.
So get off the couch and answer the knock at the door, because it’s the Arkells waiting for you to open and discover them.
Genre: Science Fiction
Publisher: Angry Robot Books
Kokoro is the sequel to Keith Yatsuhashi’s book Kojiki and continues where it ended with its masterful blend of Japanese folklore and science fiction. In many ways it is a manga or anime in purely written form and those familiar with that form of storytelling and the tropes that guide that very genre will enjoy it immensely. The difference between the sequel and its predecessor is that Kojiki more felt like an adventure novel, related to tales like Spirited Away, while Kokoro is more reminiscent of Robotech or Knights of Sidonia.
In this fashion Kokoro becomes a high octane story that moves quite fast, sometimes even a bit too fast for its own good. There is a lot going on and at times it can be difficult for the reader to keep up wit everything. The main story line takes place on a planet called Higo where a civil war is raging while Baiyren Tallaenaq, the prince of the planet is exiled away. He gets his hands on one of two giant mechs, here called mah-zin and travels to a different world. THere is naturally other parallel narratives, some involving the female cast, but they all move around the war and political intrigue at court.
As previously mentioned, this story has a lot going on. The reader is quickly thrown into the conflict, with the occasional flashback, and the exposition is quickly executed. As the story progresses it moves to a more leisurely pace, but the damage is already done. This does not mean that Kokoro isn’t an interesting story with the appropriate amount of twists and turns or inferior storytelling, the issue is that it for most readers may become too much, too confusing and too twisty and turny. This book is more geared to those who have a greater understanding of the world of manga or anime and all that comes with it.
At heart there is really just the basic story of a land ravaged by conflict and a family torn apart due to conflicts hidden in more modern tropes that some might just be too unfamiliar with. The language is still good and well adapted to the narrative and the world and relationship development is interesting as well as well executed.
In the end it is the amount of new things that is what would cause a reader to shy away, while those who are familiar with mechs, Asian mysticism and Japanese storytelling might gravitate towards it. There might even be the adventurous type who picks up this book and is introduced to a world well beyond the populist and westernized form of Pokémon, Digimon and Yo-kai Watch and then again the children who are intimately acquainted to those shows would most likely graduate to Kokoro. Whatever the case might be, there is enough proof among the pages to hint that the status of Yatsuhashi’s will grow in esteem as culture and taste catches up to it.
Publisher: Strange Chemistry
It is a widely held belief that no one is interested in reading reviews of older books. That for some reason readers are only interested in what is coming on the horizon and not that which has been. Not so here at the Guild. We do get our fair share of new books to review, but we also come in contact with less recent releases through services like Riffle, Bookperks and Bookbud. There is a bigger need for authors to have their work reviewed at Amazon, Goodreads or Barnes and Noble, to get their names out there. Therefore we at The Guild have instituted Rear View, a forum where we review older titles. Out first is the first installment of the Malediction series: Stolen Songbird by Danielle L. Jensen.
In an alternative France Cécile de Troyes leaves her family to further her singing career when she finds herself kidnapped and sold off to the trolls that live deep under ground. She is forced to marry the heir to the troll throne Tristan in hopes that it will break the curse that keeps them trapped under the rocks. Once bound she finds that there is a juxtaposition between the human hating conservative trolls, represented by the King and the more liberal views of the opposition, represented by her new husband. He, being afraid of what his people might due once freed, is not as eager to break the spell cast by the witch Anushka.
At first her relationship with her young husband is one of hate and dissatisfaction from both sides, but as time goes by and Cécile comes to terms with her new living arrangements and she understands Tristan’s true motives, among them protecting the half human, half troll breeds she begins to investigate what really happened with Anushka and the magic that lives within herself.
Stolen Songbird might appear, at first glance, to be just another young adult romance story and initially it might be true, but there is more to it. Of course the frame of it is deeply steeped in the romance with all of its tropes, such as the dark brooding handsome man who turns out to be a decent guy, the innocent young heroine who finds her inner strength so that she can change her destiny. It is a tale that is as old as genre fiction itself and in order for it to not fall into the trap harlequin swamp such a tale needs to be different. Jensen’s story is as different as it needs to be in order to be quite enjoyable and even though it may seem to be aimed at a certain type of reader it can in reality be enjoyed by all.
The story is driven through a shared narrative where the readers get to follow both Cécile and Tristan’s thoughts as they have their own separate chapters, but it is mostly the former’s voice that is heard. It is through her that the reader is privy to the world of the trolls and little by little their history and backstory is unraveled. Cécile herself has a story that is simultaneously reveled in steps and in many ways it is as the history of the protagonist is a tragic as the world she finds herself in. Romantic entanglement in all its various forms intermingle with political intrigue as well as class warfare and racism making Stolen Songbird a clear reflection of its time and the turmoil and nationalistic tensions that have plagued the early 2000s.
It is easy to brush off the first Malediction book as romantic fiction for young adults, but there is more of Diana Galbadon here than Jackie Collins. It might start out as such, but as opposed to Anne Rice or Laurell K. Hamilton the story matures and shies away from this oft, unfairly, tainted genre to take a place along side Outlander as an attempt to revamp it, instead of falling into its trap.
In this week’s fresh tracks segment Andrew Tobias, music reviewer at large, highlights American pop trio Jukebox the Ghost’s new single and ponders how age makes us gravitate towards certain artists.
The pursuit of new music has always been very important to me although it has changed over the year. Like a sex addict I found, in my younger years, that I was increasingly looking for stranger and more disjointed music to explore. As if a lone singer songwriter with a guitar just didn’t cut it anymore. Now on the other hand when I am closing in on my forties I find that I look for songs that have a familiar air instead. Jukebox the Ghost, a power pop trio from Washington D.C., is such a band. They play a style of music that is a wonderful blend of tunes hinting on songs you have heard before and a lyrical ingenuity about everyday issues. It wakes a comfort and familiarity in ones bosom in a way that is reminiscent of Fountains of Wayne, OKGO and Scouting for Girls. It is easily digestible, fun and the songs stick in ones head.
They have returned, after a few years of absence, with the song Stay the Night. It continues where there last album ended with a similar poppy feel and quirky lyrics. The difference her is that they are channeling Queen by using the choir vocals and the distinct use of piano. It is also an anthem to platonic love, or the want to spend the night with that special someone, but apparently not being able to.
In short Jukebox the Ghost’s new single is well worth a listen for anyone interested in something dance-able and quirky.