Genre: Fantasy/Young Adult
Publisher: Ragnarok Publications
Writing young adult fiction is a balancing act. It is treading a fine line between what is appropriate and what is not. Since the age span is quite large, and that the definition of young adult is quite fickle it must be daunting for an author to decide what to add in a story. Writers like John Green have been able to find the balance, but with the help of the subject material as a guide to readers what may fit them. That is all well and good for literary fiction, genres like fantasy have a more difficult time, almost always being a beacon for younger readers. Garth Upshaw is one author who manages to write young adult grimdark.
Grimdark, or dystopian fantasy as one might categorize it, is a subgenre that is growing. Authors like Martin and Abercrombie have made the call for a more realistic variant of fantasy. A style where the future of the protagonists are uncertain and the secondary world is a dark place, and might even stay so, no matter how many farm boys find magic swords and magical aides. It is not surprising that genre literature aimed at younger readers would also follow that trend.
The world that Garth Upshaw paints for the reader has a somber color pallet. It is a world that starts out being familiar to an avid fantasy reader. A world united under an oppressive Queen, Maeve, who uses her magic to not only stay young, but also terrorize the citizens. She rules them all with an iron fist through the violent Lord Zorahn, in a style reminiscent of the dictatorships of Chile or Argentina. Queen Maeve has a deep dark secret. The source of her magic comes from certain stones. Stones that most people believe come from her mines. Mines where goblins work themselves to death. The truth is something far more sinister.
Nail is a goblin on the lam. He is trying to escape the clutches of the Queen’s men and when his sister is mortally wounded, he seeks the help of a human. Alas it is too late. They recover her body in order for Nail to recover the stones from within her body, traditionally in goblin society the family members eat the stones. The human reveals that the stones have magical powers and they are worth quite a lot. Not only does Nail learn the secrets of how the stones work, but also that there are no mines. Maeve has been using the goblins like cattle, making them eat the plant veya that their bodies have then converted to stones. Then slaughtering the goblins to harvest the precious commodity. With the power of magic Nail decides that it is time for a change.
At the same time a fairy named Lianne and her rat like friend Feldsken are pulled into a revolutionary group trying to overthrow the Queen, by accident.Gizzard Stones is a tangled web of various story lines that quickly intertwine. Upshaw keeps the reader on their toes all throughout the book without there ever being a dull moment. It is helped by each character walking a fine line between being bad and good, like all good characters should. Even Maeve has a positive agenda, believing she is what is best for the world. Saving them from warring city-states and bringing in expensive goods. So what if the citizens are oppressed and the goblins are used as cattle.
The world that Upshaw has created might just as well have been made by Jim Henson. It is one part Dark Crystal and one part Labyrinth. A place filled with mutated humans, fairies, goblins and other mystical things. It is a place that is so familiar that one can easily escape to it, but dark and horrific enough to make one feel for the creatures who dwell there.In the end Gizzard Stones is able to blend the familiar in fantasy and that which is new and disturbing, our reality.
Robert J Duperre is the authour of Soultaker from Ragnarok Publishing. He stopped in and talked to us about writing, self-publishing, Terry Pratchett and David Gemell.
It is always interesting to discuss literature that pushes the envelope when it comes to what can be done. The very essence of the novel as an art form is that it is an amalgam of various genres. On this site, we often praise the books that do just that. A friend of The Guild, Jonathan Fesmire, sets out to meld worlds and genres in his latest release; Bodacious Creed.
It takes place in Santa Cruz, in the days of the Wild West, American Frontier days. Complete with cowboys, marshals, prostitutes, gunfire, and outlaws, it is all there, but with a twist. Steampunk, maybe the ultimate blending of genres, is at its very core an alternative to our world. Anything can and undoubtedly will happen to the characters who inhabit the pages. In this case, we are talking about the walking dead and automatons mixed in with a world we are all some way familiar with.
Anna is an entrepreneur and inventor, but only one of those professions is common knowledge. As the proprietor of the House of Amber Doves, a classy house of ill repute, she is well known in Santa Cruz. As the creator of several inventions within the field of automatic machines, she is less known. Her unmatched skills at machine technology have made her wealthy, and allowed her to purchase the brothel she once worked in herself. It has even helped her restore her once doomed assistant, and sometimes lover Jonny. What it hasn’t accomplished is bring her and her estranged father, the infamous James Creed together. That is about to change though, as “Bodacious” Creed, U.S. Marshal comes riding into town one day.
He has arrived to bring in the outlaw Corwin Blake, a vicious criminal without scruples. Anna manages to convince Creed to meet with her in order to reveal the secret of their kinship, but fate intervenes. In a shootout with Blake Creed is mortally wounded and dies. Beside herself, with grief, Anna decides that death most certainly is not the end and sets about digging up the body and then altering it with her technological skills. Creed’s body, already in a state of decay, needs several repairs and the success is in question until the lawman finally rises from the slab. With great confusion, but with supernatural strength and ability Creed becomes a sort of vigilante on the streets of Santa Cruz and the news of his rising from the dead soon spreads all over the city. This, though, is only the beginning.
Fesmire’s opus, Bodacious Creed, is quite the undertaking of genre fiction. It borrows heavily from several styles and stories to bring together a tale that is filled with humanity, as well as action. The parallels with Shelly’s Frankenstein are obvious, not only because Jonny reads it constantly, but because of the subject matter. Anna creates something that she does not completely take responsibility for. This can, of course, be said of several storylines in the book, not only in the way Creed abandons his daughter. There is a clear Victorian age science fiction feel to this story, but set in the Wild West, which is a novel idea in itself. Bodacious Creed is billed as a Zombie Steampunk Western, but two out of three categories are more peripheral than the third one. The steampunk aspect really only serves as a literary tool to bring the essence of the story forward, zombie aspect hints at a deeper meaning, just like Shelly managed to do in her tale of resurrection. It is the story that takes president here, which can be difficult to do in this type of fiction. It is clear that Fesmire’s story is an important project and that he has chosen to delve deeper than maybe he intended.
One would definitely pick up Bodacious Creed for its odd combination of genre styles, but one stays for the well-told story of human interest. Lonely souls in a world that is harsh and unforgiving.
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