In this episode Nick and Chris talk about night three in India. Was the show a yay or nay? Who was the MVP? Which was the match of the night? Are the commentators better or worse than those of ROH?
Story: Frank Tieri
Art: Oleg Okunev
Publisher: Aftershock Comics
What if the black plague wasn’t what the history books would like us to think it was? What if it was a cover up for something more sinister? This is what Pestilence from Aftershock comics tries to explore.
The years is 1347 and the group Fiat Lux is called by the church to deal with a renegade band of crusaders. Once they have dealt with the nasty business, they come in contact with a courier. A courier who seems to be ill and ends up biting one of them. After putting the man down, with great difficulty, they find a note addressed to Roderick Helms, the de facto leader of Fiat Lux. It’s a summons from the Vatican, to deal with a far greater problem than wayward crusaders.
Pestilence #1 is beautifully told through Roderick Helms himself. Through a confessional letter he has sent to is wife, he details the events from a few weeks prior. His band of warriors consists of the regular eclectic group; the joker, the brute, the clever one, the killer and the quiet one. It a standard troupe and at first glance a straight adventure narrative. The characters are familiar and it is expected that as the story continues that there will be more familiar tropes. There has definitely been an influx of zombie stories over the past years, and in order for these to become competitive the writers have to be inventive. It can be immersing zombies in literary fiction as in Pride and Prejudice and Zombies, set it in history like Exit Humanity or the middle ages like Pestilence. Max Brooks hinted in his Zombie Survival Guide, that the world was no stranger to zombie attacks, and that most of them had been hidden under the guise of other plagues, and what could be more wide spread than the Black Death. It’s an interesting concept and it makes for an intriguing plot.
All in all Pestilence #1 hints at a delightful and exiting tale, with fun artwork, all the things that Aftershock Comics has proven to be experts at. They just keep on bringing awesome comics with great art, brilliant!
Publisher: Dynamite Entertainment
Writer: Ryan Browne
Artist: Pete Woods
In 2008 Dynamite released Alex Ross and Jim Kreuger’s Project Superpowers. To all who love the superheroes of the so called Golden Age it was a treat. For many years people waited for more, and eventually the spin offs came, not the way readers expected it though.
Apart from the natural continuation of Project Superpowers; Black Terror, Death-Defying Devil, Masquerade and The Owl, it wasn’t until 2015 that a new series saw the light. Project Superpowers: Blackcross, written by Warren Ellis, was unlike the series it came from, and to most the only similarities were names of heroes and the title. More of a murder mystery with supernatural overtones, it most likely was a disappointment to those who expected something like the traditional storytelling. Now Dynamite have once again delved into the Golden Age pool, releasing Herokillers by Ryan Browne and Pete Woods. It too hailed as being from the pages of Project Superpowers.
Like Blackcross, the story has little to do with the original book. It takes place in Libertyville, a place dubbed as Murdertown U.S.A. The mayor, an interesting fellow called Smooth Willie Williams JR., offers a crap ton of money to superheroes who might come and clean the city up. The heroes are given tax breaks, annual salaries and bonuses based on performances. The end result is a safe city where heroes outnumber criminals. As is true with bored teenagers, the heroes soon lash out and become self destructive, none more so than Black Terror, who turns to alcohol and women of loose morals.
While Herokillers isn’t Project Superpowers, or Blackcross, it has its own charm. There is a warmth and humor to it that the other books lacked. It takes the superhero genre and twists it, making the heroes look more pathetic and sad. Maybe this is because they do not have a purpose in life, or maybe because they’ve always been a-holes. In the end it doesn’t really matter. Sure some readers might be disappointed again, because it makes fun of the genre and these characters, but it’s all very intertaining. A constant commenting from the editor Matt makes the series more meta, and the style of Woods brings it all together.
It will be interesting to see where this series goes and how these serious characters react when being thrown into absurdity.
For the avid reader of fantasy Peter Beagle has a special place in the pantheon. His book, The Last Unicorn, is canon in the genre and one could even claim that it is held in high regard among those who are only casual fantasy fans as well. The story was made into a feature film, touring American movie theatres, as well as a recent comic book. Unfortunately Beagle is often remembered by this one book. He has continued to release books since then, mostly without making too many ripples. That does not mean that his later production is not worth reading, on the contrary, his most recent release, In Calabria, proves the opposite.
Claudio Bianchi is a cantankerous Italian who lives in Calabria. Alone on a small farm with his goat Cherubino, the cat Mezzanotte and pigs. He lives a quiet life and has minor interaction with the postman Romano. One night he spies a unicorn on his property and it changes his life completely. It returns several times and begins to nest, and that is when Bianchi realizes that it is pregnant and that he might have to aid it in giving birth. The arrival of the mystical creature softens the old man and he spends his days writing poetry and even starts up a relationship with Romano’s sister Giovanna. The existence of the unicorn and, later, the black colt that she gives birth too, becomes common knowledge in the area and once again Bianchi’s world changes again. Reporters and scientists flood his farm, and soon a local criminal organization comes calling, looking to annex the farm for their own purposes.
In Calabria is a short work of fiction, a contrast to the tomes of fantasy that readers become used to. That being said, Beagle is able to pack quite a bit of human emotion into the pages. The unicorn, not at all the main character in the story, becomes more a symbol of what could be. Initially its presence is a sort of blessing that enriches Bianchi’s life. When the creatures becomes known to the rest of the world he is challenged. Does he want to protect his new found world or does he take the easy way out so that he can go back to his earlier life of loneliness.
Beagle has an impressive ability to create intriguing characters and through them the world in which they dwell. He avoids long descriptions of nature and the calabrese surroundings, instead Bianchi and his friends are the canvas on which he paints. Through them we understand the beauty of their world and it is more than enough. The plot is simple and to the point. There are no answers to why the unicorn shows up, why no one is surprised at its existence and that is fine. It creates the magic of a fantasy story without being fantasy, and that has always been Beagle’s strength.
-C. Marry Hultman
On this week’s episode Nick and Chris review the second night in Mumbai India. The ever growing possibility of a faction coming. If the episode was the best one; the contrast between storyline and matches.